Hilal ve Güneş İstanbul’da Üç Japon - The Crescent and the Sun Three Japanese in İstanbul

Stok Kodu:
9789759123789
Boyut:
16 x 24 cm
Sayfa Sayısı:
398
Basım Yeri:
İstanbul
Basım Tarihi:
2010
Kapak Türü:
Karton Kapak
Kağıt Türü:
Kuşe
Dili:
Türkçe-İngilizce
300,00
Taksitli fiyat: 12 x 32,00
2 adet mevcut
9789759123789
15058
Hilal ve Güneş İstanbul’da Üç Japon - The Crescent and the Sun Three Japanese in İstanbul
Hilal ve Güneş İstanbul’da Üç Japon - The Crescent and the Sun Three Japanese in İstanbul
300.00

Türkiye - Japonya ilişkilerinin başlangıç döneminde İstanbul'u ziyaret eden üç Japon'un; işadamı ve çay merasimi üstadı Yamada Torajiro (1866-1957), mimar, profesör ve ilk Japon mimarlık tarihçisi Ito Chuta (1867-1954) ile Budist din adamı, araştırmacı Otani Kozui'nin (1876-1948) Osmanlı İmparatorluğu ve Türkiye Cumhuriyeti'nin ilk yıllarında özellikle İstanbul yaşantılarını bugüne taşıyan Hilâl ve Güneş. İstanbul'da Üç Japon: Yamada Torajiro, Ito Chuta, Otani Kozui sergisi, 2010 Türkiye'de Japonya Yılı'nda iki dost ülke ilişkisinin başlangıç ve şekillenme sürecine farklı bir bakışla, yeni ışıklar tutuyordu.

Three Japanese men: Yamada Torajiro (1866-1957), Ito Chuta (1867-1954), and Otani Kozui (1876-1948), visited İstanbul during the early stages of Turkish-Japanese relations. The endeavors and experiences of these three Japanese men in the Ottoman Empire and the Turkish Republic inspired this exhibition. Businessman and tea master Yamada, architect, professor, and the first Japanese architectural historian Itô, and Buddhist abbot and researcher Otani were three outstanding men who left their mark in Japan through their respective fields. Coincidentally, the three Japanese grew interested in the Ottoman Empire/Turkish Republic roughly around the same period, in late 19th to early 20th centuries, and left behind works that related to their experiences in Turkey. The exhibition was based on the views and experiences of these three Japanese men; through new finds, historic works, and documents, including objects from Japanese and İstanbul museums, were displayed for the first time, conveying the Ottoman Empire's and Turkey's impressions of the Japanese from the Meiji period. Through the adventures of these three Japanese men, the exhibition explored a multi-layered window of history that opens out from İstanbul to the world.

Türkiye - Japonya ilişkilerinin başlangıç döneminde İstanbul'u ziyaret eden üç Japon'un; işadamı ve çay merasimi üstadı Yamada Torajiro (1866-1957), mimar, profesör ve ilk Japon mimarlık tarihçisi Ito Chuta (1867-1954) ile Budist din adamı, araştırmacı Otani Kozui'nin (1876-1948) Osmanlı İmparatorluğu ve Türkiye Cumhuriyeti'nin ilk yıllarında özellikle İstanbul yaşantılarını bugüne taşıyan Hilâl ve Güneş. İstanbul'da Üç Japon: Yamada Torajiro, Ito Chuta, Otani Kozui sergisi, 2010 Türkiye'de Japonya Yılı'nda iki dost ülke ilişkisinin başlangıç ve şekillenme sürecine farklı bir bakışla, yeni ışıklar tutuyordu.

Three Japanese men: Yamada Torajiro (1866-1957), Ito Chuta (1867-1954), and Otani Kozui (1876-1948), visited İstanbul during the early stages of Turkish-Japanese relations. The endeavors and experiences of these three Japanese men in the Ottoman Empire and the Turkish Republic inspired this exhibition. Businessman and tea master Yamada, architect, professor, and the first Japanese architectural historian Itô, and Buddhist abbot and researcher Otani were three outstanding men who left their mark in Japan through their respective fields. Coincidentally, the three Japanese grew interested in the Ottoman Empire/Turkish Republic roughly around the same period, in late 19th to early 20th centuries, and left behind works that related to their experiences in Turkey. The exhibition was based on the views and experiences of these three Japanese men; through new finds, historic works, and documents, including objects from Japanese and İstanbul museums, were displayed for the first time, conveying the Ottoman Empire's and Turkey's impressions of the Japanese from the Meiji period. Through the adventures of these three Japanese men, the exhibition explored a multi-layered window of history that opens out from İstanbul to the world.

Kapat